![]() The label is also giving away the song “Maybe California,” which deals with a mother feeling like an inadequate parent, as part of a viral Mother’s Day promotion through an album widget, streams and downloads, and a free ringtone. Fans who buy the presale copy immediately receive the first single, “Welcome to England,” and a code that grants access to a May 28-May 29 Ticketmaster presale for tickets to Amos’ upcoming summer tour. The standard album includes the bonus track “Oscar’s Theme,” while the deluxe one (which is available for presale at iTunes for $13.99) contains a 16-page digital booklet and a movie clip, or “visuallette,” as Amos calls them, for each track. ![]() Her sense of humor is evident in the lighthearted “Not Dying Today” and the slightly camp “Mary Jane,” but songs like the jaded “Curtain Call” and the electronic chirping of “Starling” reveal a pensive side. The artist herself is a force to be reckoned with on the new album, which blends rock beats with flashes of the avant-garde. Universal Republic president/CEO Monte Lipman adds, “There is just a tremendous amount of respect we have for Tori, and when it comes down to her vision and the way she wants up to operate, she has a lot of say in that.” “I have to give half of it in tax, and a huge percent to my attorney, and then that’s all I’ve got? And someone else owns songs I haven’t even written yet?”Īmos defines the contract as a joint-venture agreement. “Tell me the upside of a 360 deal unless it’s about $100 million?” she asks rhetorically. Amos, who has her own publishing and merchandising companies, was firm about not wanting a 360 agreement. When she sat down with Universal Music Group chairman Doug Morris to discuss her Universal Republic deal, her longevity and devoted fan base gave her considerable clout. Amos is fully aware of her own strength as an artist.
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